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PRODID:-//EuroSEAS 2019//EN
X-WR-CALNAME:EuroSEAS 2019
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DTSTART:19701025T030000
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BEGIN:VEVENT
DTSTAMP:20260407T121200
UID:traditional-art-community-and-environmental-discourse-wayang-puppet-theatre-in-global-contexts-1
SUMMARY:Traditional Art, Community and Environmental Discourse: Wayang Puppet Theatre in Global Contexts (1)
LOCATION:Room 1.505
DESCRIPTION:Puppet theatre (wayang) in traditional communities of the agrar
 ian societies of western Indonesia has long been a means for evoking, drama
 tizing, addressing and supplicating supernatural beings associated with the
  natural environment; disseminating information about best practices and ta
 boos in relation to agriculture, forestry and fishing; and defining and rei
 nforcing bonds of community. Ritual dramas performed annually in villages a
 nd propitious sites are participatory rites sponsored and attended by commu
 nities.\n\nDue to changes in religious belief and practice (particularly Is
 lamization), education, the industrialization of agriculture and commercial
  fishing, migration and urbanization, the centrality of these wayang ritual
  dramas and associated local knowledge is etioIating. They are premised on 
 traditional techniques, predictable monsoons and agricultural and fishing s
 easons – regular patterns thrown into disarray by rapid modernization, clim
 ate change and global challenges. Wayang is being sponsored by communities 
 no longer defined by geographical proximity but also involve actively membe
 rs who participate from afar, such as migrant workers in South Korea. Local
  traditions survive as heritage but are often no longer “in good working or
 der,” in philosopher Alisdair Macintyre’s terms, as they fail to recognise 
 significant changes.\n\nThere exists, however, potential in revitalizing th
 ese archaic and residual ritual drama forms and associated myths to address
  the pressing environmental issues confronting western Indonesia today such
  as coastal erosion, flooding, sinking cities, air and water pollution. Thi
 s panel, which emerges from a collaborative research project conducted by U
 K-based and Indonesian researchers, examines the re-definition of wayang in
 terpretive communities under globalization; residual and archaic environmen
 tal functions of wayang; contemporary efforts by coteries of activists, aca
 demics, agrarian communities and artists to link wayang to environmental ca
 uses; and, more generally, the potential of wayang to comprehend, communica
 te and intervene in environmental discourses and other global challenges.
URL:https://euroseas2019.org/program/panels/traditional-art-community-and-environmental-discourse-wayang-puppet-theatre-in-global-contexts
DTSTART;TZID=Europe/Berlin:20190911T090000
DTEND;TZID=Europe/Berlin:20190911T103000
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260407T121200
UID:traditional-art-community-and-environmental-discourse-wayang-puppet-theatre-in-global-contexts-2
SUMMARY:Traditional Art, Community and Environmental Discourse: Wayang Puppet Theatre in Global Contexts (2)
LOCATION:Room 1.505
DESCRIPTION:Puppet theatre (wayang) in traditional communities of the agrar
 ian societies of western Indonesia has long been a means for evoking, drama
 tizing, addressing and supplicating supernatural beings associated with the
  natural environment; disseminating information about best practices and ta
 boos in relation to agriculture, forestry and fishing; and defining and rei
 nforcing bonds of community. Ritual dramas performed annually in villages a
 nd propitious sites are participatory rites sponsored and attended by commu
 nities.\n\nDue to changes in religious belief and practice (particularly Is
 lamization), education, the industrialization of agriculture and commercial
  fishing, migration and urbanization, the centrality of these wayang ritual
  dramas and associated local knowledge is etioIating. They are premised on 
 traditional techniques, predictable monsoons and agricultural and fishing s
 easons – regular patterns thrown into disarray by rapid modernization, clim
 ate change and global challenges. Wayang is being sponsored by communities 
 no longer defined by geographical proximity but also involve actively membe
 rs who participate from afar, such as migrant workers in South Korea. Local
  traditions survive as heritage but are often no longer “in good working or
 der,” in philosopher Alisdair Macintyre’s terms, as they fail to recognise 
 significant changes.\n\nThere exists, however, potential in revitalizing th
 ese archaic and residual ritual drama forms and associated myths to address
  the pressing environmental issues confronting western Indonesia today such
  as coastal erosion, flooding, sinking cities, air and water pollution. Thi
 s panel, which emerges from a collaborative research project conducted by U
 K-based and Indonesian researchers, examines the re-definition of wayang in
 terpretive communities under globalization; residual and archaic environmen
 tal functions of wayang; contemporary efforts by coteries of activists, aca
 demics, agrarian communities and artists to link wayang to environmental ca
 uses; and, more generally, the potential of wayang to comprehend, communica
 te and intervene in environmental discourses and other global challenges.
URL:https://euroseas2019.org/program/panels/traditional-art-community-and-environmental-discourse-wayang-puppet-theatre-in-global-contexts
DTSTART;TZID=Europe/Berlin:20190911T110000
DTEND;TZID=Europe/Berlin:20190911T123000
END:VEVENT
END:VCALENDAR